"Performance Anecdotes"
Lately, I’ve been thinking about the debate between civil
liberties and civil rights. It's hardly ever a civil debate, is it?
Why do some people watch their dogs deposit their doo squarely in the
footpath of a sidewalk without making so much as an effort to clean up
the offensive mound? Why do some owners bring their pets into
restaurants, or institutions, where there are signs expressly
forbidding the entry of animals? Who draws which lines as to what is
appropriate behavior? Tolerance is a pretty big concept for a world
that keeps shrinking. Why is it correct, for some, to eat chicken but
not dog? Vegetarians don't agree with carnivores. Carnivores eat
vegetarians. Smokers and non-smokers. The debate over the right to
life. Euthanasia. Capital punishment. One's preferences can infuriate
people who think otherwise. How can a man have sex with a man? Or, how
can a man have sex with an animal? How do we reconcile breeding life
forms for human consumption?
I had just met a beautiful, creative, musical couple, while visiting
Hanoi, Vietnam. Lam, a beautiful woman with a phenomenal singing and
speaking voice is married to Trung, an talented and well educated
composer and jazz pianist. They'd just treated me to a wonderful
dinner and I offered to return the favor, take them out, and where
would they like to go?
“Have you ever eaten dog?” asked Trung.
“Dog?” I asked. “No, at least, not that I'm aware of. Is it good?”
“Oh, very good,” they both assured me.
“Okay."
Two days later, we took a taxi toward the part of town specializing in
dog. We passed a very high class neighborhood which is situated on a
lake called West Lake. In an area where every sign advertised “Dog”,
we stopped at the most famous “dog restaurant,” which looked like a
home, not an eating establishment. There was no attempt at decor, just
wooden benches (the kind one would see in an underprivileged
kindergarten class) and low tables. Lam placed the order. Seven
different preparations of dog meat. Dog in sauces, sliced like roast
beef, canine sausages, dog kebabs, and a dog-leg drumstick soup. I
admit to feeling a bit queasy at the sight, even though I knew it was
a social discomfort I was feeling; one brought on by the thought of
what I was eating rather than the way in which it was served. Hey, I'd
eaten other animals before, so what was the big deal? (Perhaps
memories of Giaour, my childhood dog.) The meat was tender, mostly,
though some dishes were a bit chewier than my liking. Not
surprisingly, I wasn't very hungry and didn’t eat as much as the rest.
When we'd finished, we were taken to the back where there was a very
small cage in which about seven or eight medium-sized dogs were
sitting quietly. A little like Lassie. Tender, tender Lassie...
...And speaking of dogs, there I am sitting next to a table of a woman
speaking of her somewhat intense attachment to her last pet. Her dog
had died two months prior, and unable to let go, she put the lifeless
carcass in her refrigerator and greeted it each time she went for
food. Our interactions with animals say a lot...Where is the line
drawn...what's tolerable? Flies? Mosquitoes? Ants and spiders? Snakes?
As I brushed my teeth one evening, I noticed a small scorpion above the
bathroom door. It was with an idealistic and benevolent spirit that I
went for a jar to trap it and put it outside. (I’d done this with
scorpions in the past.) But the mouth of the jar was a bit small and
the scorpion kept evading capture. In my attempts to be humane, and
force it into the jar, I turned the creature into paste. A two
dimensional splatter on the floor. A couple days later I open the
downstairs door and a scorpion, A LOT LARGER THAN THE LAST ONE,
scurries under the door. "Scorpion 2, Return of the Sting!" I try
moving the door so that it goes outside, but it pauses under the door
frame and then scurries back inside the house.
“This is my house!” I scream. In my mind, I'm communicating with the
creature, and my logic transcends debate. “This is my house!” Unlike
the last time, I’m not looking for a jar to transplant the little
shit. I’m using my foot to squash him...I mean...guide him...It is,
after all, my intent...I’m guiding him, that’s what I’m doing, when my
foot slips and I’m uncontrollably squashing him...”This is my house!”
And it refuses to die and I’m thinking, what can I use to put this
half-expired soul out of misery? The bug repellent I find is so old
that when I depress the button only the exhalations of my kill-energy
are heard. Frantically running around, I discover mosquito repellent
and, what the hell, it’s toxic, so a lot of this would probably finish
the fucker off, and I’m spraying a puddle of OFF! down some crack in
the wall into which the crippled creature thought it had escaped. Our
fears can turn us into monsters. How does a benevolent, idealistic
spirit, become a scorpiocidal, dog eater, the next?
I went to Guadalajara to buy my truck. One evening, Jeff, an English
friend, and I ended up at a club called “Kaos”, after asking our taxi
driver to take us to a disco or club where we could meet women.
Specificity is a very, very important ingredient in communcation.
Frisked for guns at the entrance, we're led into a stadium, of sorts.
There's a stage, elevated some five to seven feet, surrounded by
hundreds of tables. On stage, gyrate two girls clad, momentarily, in
faux leather. The taxi driver reappears (what does this guy work
here?) to ask us if we would like the loveliest girl in the
establishment to come and join us. We say nothing. Nothing. He turns
away and departs. Speaking is a very important ingredient in
communication. Elizabeth shows up. Her personality is negligible.
She's little more than an attachment to her oversized breasts. Jeff
likes her. She's in his lap. I order drinks and, after a few sips,
Elizabeth disappers. Jeff's a loner with a boner. She returns with “a
friend,” (at times, symmetry is so common). The friend orders herself
a drink, at our expense. She's a Cuban with long, dyed, blonde hair
which is thick and Rasta-like in its matted state...beautiful green
eyes. She had on something akin to shoestrings. I turned to the Cuban,
and manage the following, creative opener:
“Como te llamas?”
“Sorpresa.” Polishing off her second drink with a rapidity that would
have been enviable if it were cheaper, Sorpresa asked if she could
have another. (My time in Asia, had almost enured me to being seen as
nothing more than a portable ATM machine.) I hear myself say, “No,”
that there's really no reason to continue buying drinks for her, that
we’ve known each other for less than ten minutes, that our
conversation is superficial, and since sex was out of the question,
could she think of a logical reason why I should continue to finance
her habit? Silence. Two minutes later, she and Elizabeth go backstage.
Jeff's concerned that I may have scared off the girls. Elizabeth is
the first to take the stage. Dressed in a gaudy cowboy outfit she
barely moves to the music. As her feeble and uninspired attempt at
dancing does nothing to increase our desire, she removes her top
before the second number. By the time she's finished, Jeff wants her
phone number. Then, Sorpresa takes the stage. What had, at our table,
seemed nothing more than a (relatively) docile drinking machine,
explodes into dance. She is raw sexuality defined. The crowd is going
nuts. Now she's naked. Her pubic hair is shaved in the shape of a
heart. Her breasts are lifted and jiggled and wrapped around the pole,
which she climbs with the skill and strength of a firefighter. Locking
her feet, she swings upside down and descends, slowly, head first. Men
are on their feet screaming. A guy holds up an ice bucket, containing
champagne, and implores her to drink. She takes a swig from the
bottle, removes an ice cube from the bucket, places it in and around
her vagina, and then feeds it to the man. He's in a state of ecstasy.
Sorpresa takes the bucket and dumps the ice water over his head.
Pandemonium. This is a pro at work. As the announcer repeats the name
“Sorpresa” to the tumultuous applause of the audience, we make our way
to the taxis. Jeff discusses air fares to Havana.
Juan is big, burly. He could be mistaken for an American, or a Canadian.
Though he comes from a very well-to-do Mexican family, he is involved
in the industry of pornography. One day, he and his friends are at the
border of the United States, on their way to a rock concert. They have
about an ounce of marijuana with them. As they near the border, they
notice the Mexican military stopping and searching every vehicle. Juan
coolly puts the marijuana in the back of his underwear, gets out of
the car, and proceeds to the bathroom. Once there, he flushes the
contents down the toilet. Exiting, a soldier, mistaking him for a
tourist, stops him, and in English, asks, “How long have you been
here, amigo?” Jose answers, “Toda mi vida, pendejo!” Recognizing him,
the soldier asks him if he's still polluting the country with his
filth. "Vete a la chingada," is what Juan comes up with. The soldier
begins searching him. Juan had forgotten to discard the small vial of
cocaine in his shirt pocket. Smiling, the soldier says, “You’re mine
now, fucker!” Juan faces the soldier, and says, “Listen here, you have
two choices: I have ten thousand pesos in my pocket. I’ll give you
eight, because I need two to get to where I’m going. That’s your first
choice. Your second choice is to kill me, because I won’t let you take
me to prison alive. I’ll fight you to the death.” Juan has lived to
tell this story.
Christianity is heavy metal, Buddhism is jazz. That’s what comes to mind
as I settle into a humble room in Cuyutlan. Above my bed is a very
large crucifix with Jesus attached. The craftsmanship is detailed.
Thorny crown, steel nails, bloody face and hands, bloody chest and
feet. I’m repulsed by the bloody image. The Christian mythology, with
its sins, famines, pestilence, floods, miracles, parting of seas,
fathers asked to sacrifice their sons as a show of faith...the whole
story strikes me as melodramatic. Like a heavy metal concert with too
much leather and the volume on the amp set to 11. The Buddha, sitting
serenely in the lotus posture, blissful expression on his face, seems
a more fitting example of what I perceive to be enlightenment and
union with a “higher” consciousness. But, some people like heavy metal
and other people like jazz.
In a Chinese restaurant full of noisy people eating, men and women suck
up snot in their mouths and spit directly onto the floor around their
table.
Behavior deemed rude in private situations is rampantly abused in certain
public settings. Consider airline cabins, for instance. Do people's
senses become crossed or their synapses misfire? How do they justify
passing gas openly and frequently. Are they thinking that the noise of
the engines will cover up the smell?
A woman orders a margarita, insisting that the rim of the glass be well
salted. When the drink arrives, she asks for a straw.
In the bathroom, a man guzzles beer from a can as he urinates.
People with children and pets have hearing with a higher pain threshold.
Arriving in the United States, from Mexico, I am greeted by a drug
sniffing dog. I think about the perverse attachment part of the world
has with stamping out drugs. The idea that removing the effect will
cure the cause is very aspirin oriented.
The ego can be fragile. Jim once dreamt he had a girlfriend with whom he
attended a concert. Her attraction to the singer on-stage made him
sick with jealousy. Upon awakening, Jim wished he really did have a
girlfriend so that he could be angry at her for the pain she caused
him in his dream.
I know someone that doesn't have a regular job, but believes she should
be rewarded in this dimension for all the energy she expends working
in the fifth dimension. Once, she promoted one of my concerts using
her fifth dimensional being. Apparently, the twenty-four people who
showed up for the show were sufficient to plant the seeds of my
success. I paid her her fee in the fifth dimension.
The world offers us such a rich and varied pallette. It infuriates me
that the guiding principle of some factions is to mute that pallette.
These factions, so ready to be offended, come alive censoring and
minimizing the liberties of others. I'm offended by people who are
offended.
The offended want it
ended
They've had it "up to here"
Sayin', boys were not intended to be ladylike and queer
With indignance and persistence
They consistently express
Their passionate insistence that we like some people less
The offended have ammended
What's moral, pure, and right
Their war on gender preference is neanderthal a fight
They're offensive and defensive, the offended,
with their views
Fixations so intensive protest too much, it's true
Cowboy films are “Westerns”. Why aren't Samurai films “Easterns”?
What we hate, we love. Passion is born of love and the absence of love. A
closed heart creates separation and isolation. Tolerance and openess
promote communication and understanding.
It was the summer of 1979. I'd rented a quaint, whitewashed room on the
waterfront of the island of Ios. It was to be a vacation of deep
meditation, writing, and relaxation. The setting was perfect. Or, so I
thought. Dawn after the first evening found me moulding the pillow in
an attempt to insulate myself from nature's demonic, two-legged alarm
clock. The rooming house was a thinly insulated structure elevated by
cement pylons extending over the ground below. Unfathomable logic, or
a twisted sense of humor housed the chicken coop directly beneath my
room. I did what any civilized city dweller would have done: hissed,
spat, and threw stones at the insomniac monster. Dodging my volleys,
he strutted about, turned his repulsive beak my way and crowed on. "Allright,
buddy." I hissed at him, "you want a cockfight? You got it!" Taking
hold of my bird (attent in his morning salute), I aimed and peed until
all was quiet. Every morning thereafter, I got out of bed and earned
myself a few extra hours of sleep on an empty bladder. But after a
week, or so, I was fed up with this process and told Mrs. Katina, the
landlady, that I was moving to another rooming house.
"I can't take it any more," I complained. Fearing the loss of one of her
renters, she talked me into staying, saying she'd take care of the
problem. That night, I floated on dreamclouds in a soothing,
rejuvenative slumber. Heat from the late morning sun awakened me. With
a rhythmic pulse, the sea caressed the shore and welcomed me in.
Natural splendor. The vacation I longed for. No schedules. No
telephones. No cars. No rooster. After a lazy day of swimming and
sunning, I returned to a smiling Mrs. Katina who invited me to dinner.
Touched by this gesture of peasant hospitality, I graciously accepted.
It was a sumputous feast of salads, beans, home-made red wine, and the
centerpiece: the lifeless, baked rooster. The head had been left
decoratively unplucked. Katina beamed as she carved the bird and
loaded my plate. Grease dripped out of the side of my mouth as I bit
into the flesh. The cock's gaze riveted on every chew. I felt guilty
for having had the prized bird sacrificed. But guilt turned to nausea
when I realized I was eating a meat which I had spent the last ten
days marinating.
I’m eating tacos with Karen and Diane, both from England. I ask the
waiter to leave the pineapple off my tacos al pastor.
“Oh, no Paul,” says Diane, “get' em with pineapple, and I’ll eat the
pineapple.”
“But I don’t want the pineapple adulterating the flavor,” I say.
“Come on, just get'em with pineapple. For me?”
“Diane, why I should I diminish the quality of my experience just to
increase the quality of yours?”
“You talk funny,” says Diane.
“How so?”
“Well, normally our friends would just say, ‘Get your own pineapple,
bitch!’”
A friend's mother prepared us a typical Luang Prabang meal, which
included such specialties as river moss (dried, and then fried with
sesame seeds...delicious) a spicy wood, the exterior of which one
sucks and nibbles on as if it were bone marrow (spicy...delicious),
fresh watercress, and sticky rice. We ate in the dining/living room,
which was basically a table with some chairs, and a television set,
which the rest of the family viewed while sitting on the floor.
A parrot and man were speaking to each other on a Discovery Channel
feature. The show was dubbed in Spanish, so some person imitated a
parrot imitating a man. Put that in your resume.
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